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Martin  Drolling Portrait of the Artist-s Son as a Drummer oil painting


Portrait of the Artist-s Son as a Drummer
Painting ID::  43812
Martin Drolling
Portrait of the Artist-s Son as a Drummer
Oil on canvas, 120 x 76 cm

   
   
     

Martin  Drolling Portrait of the Artist-s Son as a Drummer oil painting


Portrait of the Artist-s Son as a Drummer
Painting ID::  52608
Martin Drolling
Portrait of the Artist-s Son as a Drummer
Oil on canvas, 120 x 76 cm

   
   
     

Martin  Drolling The Messenger or The Good New oil painting


The Messenger or The Good New
Painting ID::  52622
Martin Drolling
The Messenger or The Good New
1806 Oil on canvas

   
   
     

Martin  Drolling Portrait of the Artist's Son as a Drummer oil painting


Portrait of the Artist's Son as a Drummer
Painting ID::  62364
Martin Drolling
Portrait of the Artist's Son as a Drummer
120 x 76 cm Private collection The artist's son, Michel-Martin (1786-1851), was also a painter

   
   
     

Martin  Drolling Portrait of the Artists Son as a Drummer oil painting


Portrait of the Artists Son as a Drummer
Painting ID::  80988
Martin Drolling
Portrait of the Artists Son as a Drummer
2nd half of 18th century Medium Oil on canvas Dimensions Height: 120 cm (47.2 in). Width: 76 cm (29.9 in). cyf

   
   
     

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     Martin Drolling
     1752-1817 B.Oberbergheim French Martin Drolling Art Gallery After receiving initial training from an unknown painter in Selestat, Drolling moved to Paris, where he attended courses at the Academie Royale. He supplemented his education there by studying Flemish and Dutch Old Masters in the collection at the Luxembourg Palace. From the Flemish school he derived his own rich impasto, while the Dutch was to influence him in his meticulous, supremely descriptive and unsentimental style of painting as well as his choice of subject-matter: unfussy bourgeois interiors and frank portraits. Drolling first exhibited at the Salon de la Correspondance in 1781 and again in 1782 and 1789. After the French Revolution he was able to participate in the Salon at the Louvre, despite the fact that he had never become a member of the Academie Royale. He exhibited from 1793 to 1817, although the majority of his works extant today were shown after 1800. From 1802 to 1813 he was employed by the Sevres porcelain manufactory, and many of his designs were engraved.

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     | Nardo di Cione | Thomas Fogarty | Paul, John |


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